![]() ![]() "The recognition is tremendous and we're grateful our work is being honored on the national stage like this," Kelly Ann Scott, editor in chief and vice president of Alabama Media Group, said in a statement. Remkus and Stephens were also picking up their second Pulitzers, after being part of a team that won in 2021 for national reporting. It was a second Pulitzer win for John Archibald, who previously won in 2018 for commentary, and the first for his son, Ramsey Archibald. His Alabama colleagues John Archibald, Ashley Remkus, Ramsey Archibald and Challen Stephens won a local reporting award for a probe into a local police force. Kyle Whitmire, of AL.com, won a commentary award for "measured and persuasive columns" about Alabama's Confederate heritage and a legacy of racism. The public service winner receives a gold medal. The Pulitzers honor the best in journalism from 2022 in 15 categories, as well as eight arts categories focused on books, music and theater. Other winners of two Pulitzers apiece were AL.com, of Birmingham, Alabama, the Los Angeles Times, The New York Times and The Washington Post. The Associated Press won two Pulitzer Prizes for its coverage of the war in Ukraine, earning recognition for its breaking news photography of the Russian invasion, as well as the prestigious public service award for its startling - and exclusive - dispatches from the besieged port city of Mariupol.ĪP journalists were also finalists in two Pulitzer categories, for breaking news photography of Sri Lanka's political crisis and for feature photography of the Ukraine war's impact on older people.įor the public service award, the Pulitzer judges acknowledged AP - which had the only international journalists in Mariupol for nearly three weeks - for capturing notable images of an injured, pregnant woman being rushed to medical help and Russia firing on civilian targets.ĪP's Mariupol team was made up of videojournalist Mstyslav Chernov, photographer Evgeniy Maloletka and video producer Vasilisa Stepanenko on the ground in the besieged city, and reporter Lori Hinnant in Paris. Phil Bryant and NFL legend Brett Favre worked together to channel at least $5 million of the state's welfare funds to build a new volleyball stadium at University of Southern Mississippi, where Favre's daughter played the sport. In one case, Wolfe wrote about how former Gov. And his work, with its moody chiaroscuro, vintage Kodachrome palette, and Mannerist emotionality, seems to have been ripped out of the pages of glossy magazines from an era when Irving Penn and Richard Avedon were still huddled underneath their dark cloths, and Ralph Gibson and Saul Leiter still prowled the streets.Of the two local reporting winners, Mississippi Today reporter Anna Wolfe's "The Backchannel" series detailed how state officials misspent millions in welfare money that was supposed to help some of the poorest people in the United States. Twenty-eight years old, baby-faced and affable, he has been shooting editorial work for the likes of the Times Magazine, British Vogue, and various cultish brands (Craig Green, Margaret Howell) since he was barely out of college his first monograph, titled simply “Photographs,” was released in May by the London-based imprint Loose Joints. The misconception might also have something to do with Davison’s startling youth. He told me that, because of the machine’s unobtrusiveness, the subjects he’s hired to photograph sometimes think he’s an assistant: “They are, like, ‘When is the actual photographer and the camera coming?’ ” He clicked through some of the images on a palm-size point-and-shoot digital camera, which has been his instrument of choice lately. He had been beckoned Stateside from his home in London to do a commercial shoot for Mary-Kate and Ashley Olsen’s luxury fashion line, the Row, but he had spent that day wandering the streets of Chinatown, where, he informed me, he took a lot of great pictures of hands. One day not long ago, I met the photographer Jack Davison at a café in Brooklyn, during the slow hours of the afternoon. ![]()
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